13 Factors Why Revealed a Gay Character—And Then They Killed Him

Trigger and spoiler warnings.

After final period’s horrific finale where Tyler Down is graphically intimately assaulted with a broom, I vowed to myself that I would personallyn’t view any longer of Netflix’s controversial show 13 explanations why, that is problematic at the best and a flaming heap of trash at worst.

We planned on keeping that promise—that is, until i arrived home Friday night and my roomie had been a few episodes deeply. We quickly binged it all so I decided to settle in, and.

And I also be sorry.

The majority of period three reads being an apology trip for a serial rapist. We find away in episode one which Bryce Walker, the vile jock who raped Hannah Baker in period one, is murdered and any among the major castmates had likely cause to kill him. Through flashbacks, we are obligated to understand “good part” of Bryce where he tries to make amends for their “mistakes,” but fails therefore spectacularly which he eventually ends up dead ukrainian brides.

Throughout all that nonsense, 13 main reasons why manages to introduce and bury a homosexual character in a matter of some episodes.

We came across Montgomery de la Cruz final period, but we did not understand much about him besides their All-American asshole jock demeanor that took a change when it comes to even worse when he graphically sodomized Tyler against his might. The assault stayed a secret and lingers over Monty’s character all period very very long.

In episode five with this period, Monty attends an ongoing party with Bryce. We later learn is named Winston as they walk up to the mansion that these high schoolers are partying in, Monty makes intense eye contact with a boy.

“that is the Latinx?” Winston leans up to their buddy as Monty walks previous, though i’ve no clue A) exactly exactly exactly how anybody would assume this guy ended up being such a thing except that caucasian and B) why this young kid means some body as “the Latinx.” Is it a racist pejorative? Some modern brand new slang? Why don’t you simply Latino? I do not understand things to feel in this brief minute besides amused confusion. In fact, the star whom plays Monty, Timothy Granaderos, is half Filipino, but We digress.

The way closeted kids struggling with their sexuality do after a few drinks and more lingering eye contact, Monty and Winston uncomfortably hook up in an upstairs bedroom. But as Bryce and Monty leave the celebration, Winston gets up and says bye to him right in front of everybody. Incorrect move. Monty calls the kid a faggot and promptly beats the shit away from him.

The scene adds an upsetting new layer of homophobia and self-loathing to his prior sexual assault of Tyler as Monty’s repressed sexuality is clearly playing a role in his rage and violence.

Little else happens with Monty’s sex before the period finale, where this period’s irritating new British narrator Ani structures Monty for Bryce’s murder through “process of removal.” Literally. She describes up to a deputy that since everyone had an alibi, it might simply be Monty. No proof required. Completely rational.

But while Ani is weaving her internet of lies, we come across just exactly just what Monty had been really as much as that evening. He bumped into Winston once more, apologized for their actions, in addition to two boys find yourself spending the evening together, an infinitely more tender scene compared to one before.

Viewing them explore their attraction to each other therefore lightly is in fact quite touching, making their actions that are terrible tougher to consume. He seems like he can not be whom he would like to be, therefore Monty lashes down in disgusting means. We even get a scene where Monty’s dad visits him in prison and spits on him if you are homosexual. Possibly i’ve a soft spot for LGBTQ figures, but Monty’s tale struck more of a chord for the reason that ten-minute period that Bryce’s storyline had all season.

Whenever Ani completes telling lies on Monty, the deputy she is sharing her murder theory with reveals that Monty ended up being really been murdered in the cell earlier that day. Then agrees to implicate Monty to cover the involvement up of his or her own son.

And thus another gay is hidden. And our gang of “heroes” successfully pinned Bryce’s murder for a kid that is dead.

There is so much with this plot that really needs unpacking.

Individually, i am tired of the pretty-softboi-falls-for-the-abusive-closeted-jock storyline that therefore numerous homosexual coming-of-age tales revolve around. Probably the Perks to be a Wallflower made it happen well, but it is become a little bit of a cliche that is dangerous this time. Many queer tales center violence at the beginning of relationships that people fundamentally need to ask whenever we’re simply telling tales or perpetuating stereotypes and producing harmful objectives for young queer audiences. Specially when the traumatization of the who have been mistreated isn’t explored in every way that is meaningful and additionally they nevertheless wind up dating their abuser.

Bryce Walker’s storyline is similar to Brock Turner and several white male rapists for the reason that he’s pathologically humanized. He is simply a young child. He made some awful errors. He also gets a love interest in 2010. But although this man that is white to inquire of for understanding and forgiveness, nobody attempts to comprehend any such thing concerning the queer person-of-color which was just falsely accused of murder and ultimately ends up dead in a prison cell. This is certainly possibly the most upsetting standard that is double of period.

13 Factors why demanded us to determine if abusers deserve forgiveness this year but—either inadvertently or purposefully—decided that this queer individual of color did not deserve an identical types of nuanced discussion, and rather kills him off before we have had the chance to ask issue for ourselves.

Within the last few moments associated with finale, Winston confronts Ani on framing Monty for Bryce’s murder. “He had been a person,” he states forebodingly, guaranteeing a return season that is next. “He don’t deserve to perish that way.” In which he’s appropriate. Utilizing the hardships of LGBTQ teenagers as being a plot unit, then swiftly killing from the character, reinforces the indisputable fact that our storylines—and lives—are inconsequential and disposable.

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